Ashlee Bye performing Mercury
Thanks to some handy online tutorials, I’ve been making arduino powered button controllers for people to interact with some of the pieces from my PhD project.
Enter full screen. Press play. Feel free to have a conversation.
This is the second version of ‘I’m here to listen’, a piece about listening in a conversational context, as mediated by networks. It aims to show how intertwined the roles of listener-to and producer-of sound are, by presenting a partner in conversation whose perceived fulfillment of the parts of this dual role erodes over time, as well as the uncertainty that technological mediation brings to these roles. In a conversation via Skype or even by telephone, how can I know who is listening? Who is being listened to? And when?
a little more BreezeWay
This is a short film score I did in 2013 for the Tropscore film scoring competition, performed with the able assistance of the gents of Manny Fox.
This is Memory Walk, a video/audio piece I’m working on as part of my PhD project Listening Music, presented at the Australasian Computer Music Conference earlier this year. It’s one of a set of sound art works that aim to encourage the listener to listen self-critically. Memory Walk aims to foreground the relationship between perception, memory, and imagination of the future.
I posted this a while back on Vimeo but there’s been playback problems from there for some reason. So here it is on YouTube.
Peekaboo is all about the pleasure of anticipation, everyone loves a surprise. All children on earth enjoy peekaboo, why not children on other planets?
This is a little conceptual sound art piece made as a submission to the Forever Now project. My page there is:
This is a rough mix of some music I’ve made for a section of ‘Infundibular’, a dance show coming up at Dancehouse as part of Melbourne Fringe 2014.